Badshah brings denim drama to Alexander Wang’s NYFW return

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Badshah brings denim drama to Alexander Wang’s NYFW return

Badshah, the first Indian rapper to attend NYFW, made a statement at Alexander Wang's comeback show. He wore a denim-on-denim outfit, styled with handcrafted Indian brooches, futuristic sunglasses, and a luxury watch. His look blended casual cool with avant-garde edge, suggesting a new direction for men's casualwear that is intentional and detail-oriented.

New York Fashion Week is never short of drama, the kind served on the runway and the kind owned by its front row. This season, one of the most unexpected (and refreshing) style statements came from none other than Badshah, who became the first Indian rapper to take a front-row seat at NYFW.

And trust him to do it in a way that was equal parts casual, luxe, and quietly disruptive.

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At Alexander Wang’s highly anticipated Matriarch show, a comeback moment after seven years away from the NYFW calendar, the front row brimmed with power players and experimental fits. But amidst the sea of sculptural silhouettes and statement couture, Badshah arrived in something so familiar yet so elevated: denim-on-denim.

Except, of course, it wasn’t the basic double denim you throw on for a coffee run. Styled by New York–based Shipra Sharma, the look carried Wang’s signature cool with an Indian luxe twist.Badshah wore a light-blue oversized hoodie jacket and matching jeans, grounded with chunky black Alexander Wang boots. The base itself was understated, even easy-going, but the transformation came with detail. The denim pieces were speckled with handcrafted animal-motif brooches - alligator, goat, elephant, and more - from luxury accessories label Deepa Gurnani, painstakingly made in India.

Suddenly, streetwear had a couture moment.

Suddenly, front-row fashion had a new lens.The rapper didn’t stop there. Oakley’s futuristic metal sunglasses and a sharp black clutch added cyber-punk energy, while a Richard Mille RM 74-02 gleamed on his wrist. Together, it made the outfit sit somewhere between casual cool and avant-garde edge, like he was rewriting what “casualwear” could mean at fashion week.

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And perhaps that’s the bigger story here. For too long, denim-on-denim has been seen as a no-rules zone, the quick fix of throwing washes together for a ‘90s revival.

But Badshah made a case for uniformity: one clean wash, head-to-toe. The result? A striking, monochrome silhouette that feels fresh, not forced. A reminder that sometimes, fashion’s best statement isn’t loud, it’s cohesive.

Alexander Wang, meanwhile, set the stage for this cultural crossover with a show rooted in heritage and rebellion. His Matriarch collection, celebrating 20 years of the label, turned a former financial building at 58 Bowery into an immersive storytelling space, fusing personal narrative with AI design.

Against that backdrop, Badshah’s look felt like an extension of the theme: a bridge between craft and technology, India and New York, streetwear and couture.It’s too soon to call it a trend, but here’s the takeaway: denim is not done, not even close. And if Badshah’s front-row moment is anything to go by, casualwear for men is about to find a whole new groove, where every piece is intentional, accessories matter as much as fits, and yes, even a humble hoodie can sit comfortably in couture conversation.So denim fans, suit up. Keep it tonal, keep it clean, and don’t be afraid of a little sparkle. After all, if Badshah can make NYFW stop and stare in a hoodie and jeans, maybe it’s time the rest of us rethink how far our blues can go.

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