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Last Updated:January 29, 2026, 15:30 IST
As gold prices soar, Bihar’s Sona Bhandar cave in Rajgir draws attention once more. Hidden for centuries, it’s said to hold the legendary treasure of Jarasandha

As gold prices soar to record highs, an ancient cave in Bihar has once again captured the public’s imagination, stirring fresh debate about hidden riches. Linked to the legendary Magadh kings Jarasandha as well as Bimbisara, this fabled treasure is said to lie within a man-made cave at the foothills of the Vaibhavgiri Mountains in Rajgir, Nalanda, a site shrouded in mystery for centuries.

The Sona Bhandar has fascinated historians and treasure hunters alike. Local legends claim that during the reign of Bimbisara, founder of the Haryanka dynasty, a vast hoard of gold was concealed here. Some believe that when Bimbisara’s son Ajatashatru imprisoned him to claim the throne, Bimbisara’s wife created the cave to safeguard the royal fortune, leaving behind a mystery that continues to intrigue generations.

Nestled in the historic city of Rajgir in Bihar’s Nalanda district, the Sona Bhandar cave is surrounded by centuries of myth, legend, and historical significance. Locals and historians alike believe that the gold treasure of Magadh, possibly belonging to King Jarasandha or Bimbisara, lies hidden inside. The cave is not only of archaeological interest but also holds importance in mythological and historical contexts. Located in the Vaibhavgiri hills, the site consists of two caves, one large and one small.

According to Buddhist texts and archaeological surveys, it dates back to the Maurya period and also have links to the Jain tradition. A fascinating feature of the Sona Bhandar is a mysterious inscription on one wall that remains undeciphered. This script, known as Shankh Lipi, is said to contain the secret to locating the treasure, which is believed to be buried beneath an enormous rock that no one has been able to move. Even during British rule, attempts were made to break open the cave with cannons, but all efforts failed. Symbols carved in Shankh script at the entrance continue to baffle scholars, leaving the cave’s secrets intact.

The archaeological evidence reveals that the cave system is not tied to a single religion. Statues of Jain Tirthankaras, an idol of Lord Vishnu, and inscriptions from the Maurya and Gupta periods have all been discovered here. While some historians argue that Jain monks constructed the caves, others link them to the Buddhist era, noting that Lord Buddha is believed to have delivered teachings to Emperor Bimbisara at this site.

Treasure Legends: During his reign, Mauryan ruler Bimbisara is said to have carved a cave in Rajgir from a large mountain specifically to hide his treasure, giving rise to the name ‘Sona Bhandar’. Local legends also suggest that King Jarasandha stored vast treasures here during wartime, sealing them with massive stones. The inscriptions on the walls resemble Brahmi script, widely used in the Mauryan period.

Today, thousands of tourists flock to this cave, intrigued by its mysteries. While some dismiss the treasure as mere myth, others continue to seek historical truths. Archaeological excavations have yet to uncover any treasure, but the cave’s stonework, structure, and interior architecture indicate it was no ordinary construction. The cave is also connected to tales from the Mahabharata era, particularly involving Jarasandha. According to the Vayu Purana, Magadh’s emperor Jarasandha defeated over 80 kings and hid their wealth in this region. After Bhima killed Jarasandha, these secrets were buried with him, leaving a legacy that continues to fascinate generations.

Whether the treasure is real or purely legendary, the cave remains a symbol of Bihar’s rich historical and mythological heritage. The mysteries it holds, ancient inscriptions, untouchable rocks, and tales of kings and empires, continue to intrigue historians, archaeologists, and curious visitors alike. The question endures: will the secrets of Sone Bhandar ever be revealed, or will they continue to fuel curiosity for generations to come?
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