ARTICLE AD BOX
![]()
There’s an old sitcom trick: if you can’t figure out what to do with a character, make them gay. It adds “dimension,” it signals “progress,” and it’s guaranteed to get you a BuzzFeed headline or two.
But The Big Bang Theory, a show not exactly famous for its subtlety, decided to do something quietly radical with Raj Koothrappali. It didn’t make him gay.In an early episode, Raj tries to explain himself to his parents by saying he’s “metrosexual,” meaning he likes women and their skincare products. The line landed somewhere between a punchline and a confession, and it instantly sparked speculation. Several think-pieces and fan theories sprouted up suggesting Raj was obviously coded gay.
He was soft-spoken, stylish, emotionally open, and comfortable talking about lotions.
In sitcom logic, that usually means one thing.But writer Steve Molaro later clarified, “Raj certainly could have been gay, and that was definitely a viable way to go. But maybe it was more interesting to have a guy so comfortable with his feminine side who isn’t gay, and explore that instead.”

Source: Getty Images
That’s a deceptively profound decision. Television loves labels; they make storytelling cleaner.
Yet Molaro and his team chose ambiguity over classification. Raj became a kind of middle space, not the macho nerd caricature, not the sassy best friend trope. Just a man who liked candles, chick flicks, and talking about his feelings.It’s easy to forget how rare that was on American TV in the late 2000s. The sitcom universe was binary: alpha males like Barney Stinson on one side, self-loathing betas like Ross Geller on the other.
Raj didn’t fit either template. He was sweet, insecure, occasionally ridiculous, but never apologetic for who he was. He could spend an evening gossiping with Penny, then wax poetic about Bollywood romance, and somehow it never felt like a joke at his expense.
It was simply him.Of course, the show wasn’t immune to cheap laughs. His selective mutism around women, his awkward flirtations, and his over-the-top bromance with Howard often veered into caricature.
But underneath the laugh track was something oddly progressive: a portrayal of masculinity that didn’t need rescuing or rewriting.

In retrospect, not making Raj gay might have been the most subversive thing The Big Bang Theory ever did. It resisted the urge to explain him, to box him into a trope or moral arc. In an era obsessed with representation checklists, Raj was representation without an agenda, proof that softness, vanity, and emotionality don’t have to signify sexuality.Maybe that’s why he remains one of the most memorable characters in the show’s long, uneven run. Amid all the formulaic science jokes and laugh-track applause, Raj was the quiet rebellion: the man who reminded us that not every deviation from the norm needs to be a declaration.A small creative choice, and in the world of sitcoms, a surprisingly big one.


English (US) ·