Lee Na-young returns as a star lawyer in 'Honor', while Won Bin extends a 15-year screen hiatus

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Lee Na-young returns as a star lawyer in 'Honor', while Won Bin extends a 15-year screen hiatus

A high-profile return

Lee Na-young

secures a headline-making comeback with 'Honor', an original series from Genie TV that will also air on ENA, centering on three attorneys whose buried past roars back as a scandal that demands an unflinching charge forward. The project is slated for an early 2026 premiere and positions Lee at the heart of a character-driven mystery that explores reputation, loyalty, and the cost of long-suppressed wounds. OSEN reports the casting confirmation and framing of the drama as a hard-edged pursuit anchored by a trio at a victim-advocacy law firm.

The role and the trio

Lee Na-young plays Yoon Ra-young, the face of L&J (Listen and Join) and a media-savvy celebrity lawyer with a massive following, balancing polish with a guarded interior that hints at years of scars and anxiety. She reunites on screen with Jung Eun-chae and Lee Chung-ah as longtime friends who built their careers together and now confront a scandal that tests their pact. Their dynamic promises a compact, character-first take that spotlights how public platforms and private histories collide inside a high-stakes case.

The source and the schedule

The Korean series adapts a well-known Swedish drama, refitting its spine for local sensibilities while preserving a tense engine that propels a reputational fight under legal and media glare. Target the first half of 2026 for release. The setup outlines a mystery-pursuit rhythm that builds to confrontations as personal shadows intersect with professional consequences.

Won Bin's quiet lane

In parallel, Won Bin continues a 15-year absence from film and television since 'The Man from Nowhere' (2010), maintaining visibility primarily through advertising work without a dated screen project on deck. Curiosity about a possible return remains cyclical, as brand-facing appearances keep his profile high while concrete acting commitments stay elusive. The contrasting trajectories have become a public talking point: Lee Na-young's steady, selective activity versus Won Bin's enduring mystique off the scripted screen

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