Mysskin breaks silence; Responds to criticism on attending film events drunk, quitting the industry

Director Ram’s upcoming film 'Parundhu Po' is all set to release in theatres on July 4. The film features a diverse cast including Mirchi Shiva, Aju Varghese, and Grace Antony. At a recent press meet held in Chennai, the team came together to talk about the project.

While there was anticipation about the film, it was director Mysskin’s heartfelt and brutally honest speech that deeply moved many in attendance.Mysskin: “I’m not happy in the cinema anymore”Mysskin spoke with remarkable vulnerability to a reporter's recent comment that his directorial identity had faded after films like 'Pisasu 2' and 'Train'. “To that friend, I say this humbly — I too feel I should leave the cinema soon,” he said.

“I am not happy in this industry anymore. The joy I once felt is gone. Competition is fierce, and business has become overwhelming.” His words painted a raw picture of a filmmaker grappling with disillusionment while still pouring his heart into his work.A father's plea amid industry chaosIn a particularly emotional moment, Mysskin spoke about being invited to many film festivals but declined politely. “Don’t call me unless you’re ready to pay ₹5 lakh.

I’ll save it in the bank for my daughter’s education,” he said, exposing the financial and emotional toll of being an artist in today’s cinema world. He acknowledged that he stays in the field, metaphorically, “bleeding drop by drop,” driven more by duty than delight.Critics, honesty, and a toast to RamTouching on film criticism, Mysskin offered a grounded perspective. “Critics have every right to say a film is good or bad. We should accept both with equal grace.” He encouraged everyone to watch Parundhu Poo and speak their mind freely, assuring them that director Ram would take it sportively. On a lighter note, he addressed a long-standing rumor with a smile: “People say I come drunk to events. I drink only at night, not before attending functions.

” His wit, even in emotional honesty, reflected the duality of a filmmaker who’s seen it all.