Bangla rock goes national as Fossils 7 tops India’s iTunes all-genres chart

In a significant moment for regional music’s expanding national footprint, Fossils 7, the latest release from Bengali rock pioneers Fossils, has climbed to the No. 1 position on the iTunes India Top 200 Albums chart across all genres.
The achievement marks a rare crossover success for a non-Hindi album in the national digital marketplace and signals the growing mainstream visibility of Bangla rock beyond its

traditional listener base.

According to real-time chart trackers, the album had already been performing strongly in the Regional Indian category since its release, holding the top spot consistently. Its move to the summit of the overall all-genres chart now places it ahead of releases across languages and styles, underscoring both the band’s enduring appeal and the widening reach of regional music audiences.

At the time of chart capture, Dhurandhar occupied the No. 2 position on the national list, highlighting the competitive and language-diverse nature of India’s streaming ecosystem. Yet the rise of Fossils 7 suggests that language barriers are becoming less relevant in the digital era, where fan communities, social media circulation and nostalgia-driven listening patterns often outweigh conventional industry hierarchies.

For over two decades, the Kolkata-based band led by vocalist-songwriter Rupam Islam has shaped the sound and identity of Bangla alternative rock, combining introspective lyricism with a hard-edged sonic palette. Their new release continues that trajectory, blending political undertones, emotional intensity and stadium-scale arrangements , elements that have long defined their loyal fan following.

Industry observers note that the album’s chart performance reflects a broader shift in listening behaviour: regional music, once confined to linguistic markets, is increasingly travelling across states through streaming platforms, algorithmic discovery and diaspora engagement. In that sense, Fossils 7 may represent not just a band’s success, but a moment in which Bangla rock asserts itself within India’s national pop-culture conversation.

If sustained, the album’s performance could open new commercial possibilities for regional rock acts , from wider festival bookings to national playlist penetration — reinforcing the idea that India’s music mainstream is becoming more multilingual than ever before.