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Even Mamitha’s upcoming Malayalam film, Bethlehem Kudumba Unit , co-starring Nivin Pauly, chose to spotlight both the leads’ names on the poster.
Are we overthinking movie credits or finally paying attention? Recently, there was a debate around Mamitha Baiju’s name not being featured alongside Suriya’s on the posters of Vishwanath and Sons. After all, Suriya’s own Retro (2025) had set a different precedent.
Its posters featured both his and Pooja Hegde’s names side by side, winning praise for doing so.
Even Mamitha’s upcoming Malayalam film, Bethlehem Kudumba Unit , co-starring Nivin Pauly, chose to spotlight both the leads’ names on the poster.But as is often the case with social media, this conversation quickly spiralled into yet another fan war. Suriya fans questioned why the absence of Mamitha’s name in the posters of Jana Nayagan wasn’t met with similar criticism and why the issue suddenly became significant when it involved their idol.
Vijay fans, in turn, offered their own counter-arguments. Before long, the discussion shifted from representation and acknowledgement to score-settling between fandoms.The justifications are familiar. People come to watch a Vijay, Suriya or Ajith film for the stars themselves, so why mention the female lead’s name? Should we then mention all the cast members’ names in the poster? What difference does it make when people already know that the actress is part of the film and when her face is on the poster? Are we overanalysing? Then comes the practical argument: there’s simply not enough space to accommodate everyone’s names.
Though this point doesn’t really hold up. The posters of Con City found space for the names of Arjun Das, Anna Ben, Yogi Babu and Vadivukkarasi. All four of these actors may not necessarily command the same box-office pull, yet the makers made the conscious choice to acknowledge all of them. Sudha Kongara’s Parasakthi did something similar, featuring the names of all four of its principal actors, including its female lead, Sreeleela.
Blast ’s posters, too, highlighted all three of its leads.And if box-office pull is the argument, there’s another contradiction worth addressing. We are often told that nonTamil actresses are cast in Tamil films because their popularity helps with a wider reach and allows the film to travel across markets. If that’s true, shouldn’t that logic be reflected in the way they are credited, too? A poster doesn’t need to carry every cast member’s name.
But when an actress is cast as one of the film’s principal selling factors — someone who features prominently in its promotional content and marketing campaign — acknowledging her isn’t an act of charity, political correctness or tokenism.
It is simply recognising the role she plays in the film’s story and its marketing.Many may dismiss having a name on a poster as having very little real-world impact. But they matter far more than they seem. A name in a poster shapes audience perception, influences aspiring filmmakers, encourages young women with aspirations of an acting career in cinema and also pushes other male actors to follow suit. Radikaa Sarathkumar’s name being featured in Thaai Kizhavi posters with her title ‘ Kalai Arasi ’ makes a difference.
So does Anaswara Rajan getting equal billing alongside Abishan Jeevinth in With Love posters. More than just names in a poster, it’s a statement.





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